Pine and Plum Blossoms in a Vase Size:Overall 19 x 40 in.，print 13 x 32 in. 《贈衛八處士》人生不相見，動如參與商。 今夕復何夕，共此燈燭光。 少壯能幾時，鬢髮各已蒼。 訪舊半為鬼，驚呼熱中腸。 焉知二十載，重上君子堂。

《贈衛八處士》人生不相見，動如參與商。 今夕復何夕，共此燈燭光。 少壯能幾時，鬢髮各已蒼。 訪舊半為鬼，驚呼熱中腸。 焉知二十載，重上君子堂。 昔別君未婚，兒女忽成行。 怡然敬父執，問我來何方。 問答乃未已，驅兒羅酒漿。 夜雨剪春韭，新炊間黃粱。 主稱會面難，一舉累十觴。 十觴亦不醉，感子故意長。 明日隔山岳，世事兩茫茫。

This piece offers a profound glimpse into the depth and symbolism inherent in Chinese artistic expression

Yang Guifei became the beloved consort of Emperor Xuanzong

Mist at Dawn

This artwork captures the essence of the peony using the "boneless" technique to paint the petals

Pine and Plum Blossoms in a Vase Size:Overall 19 x 40 in.，print 13 x 32 in. 《贈衛八處士》人生不相見，動如參與商。 今夕復何夕，共此燈燭光。 少壯能幾時，鬢髮各已蒼。 訪舊半為鬼，驚呼熱中腸。 焉知二十載，重上君子堂。Gicle art print on German made rice paper. About the Artwork Paintings of Auspicious Spring, Qing Dynasty. Mian Yi. Ink and color on rice paper. This artwork, adorned with motifs of pine and plum blossoms, camellias, a vase, and a ruyi scepter, carries the auspicious message of "peace and all one's wishes coming true." Emperor Qianlong offered it to his mother, embodying a gesture of auspiciousness and heartfelt blessings. About the Artist Mian Yi