A moor is not a mountain XI original oil only becoming visible when you

only becoming visible when you learn to read their subtle traces—etched lines in the land that speak of repeated journeys and time itself

allowing her to build delicate

framed in a hand painted St Ives style frame

A fine thread of gold runs through the painting—subtle

The book is dedicated to Anita

A moor is not a mountain XI original oil only becoming visible when youIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive