Passports 2012–2025 bunnies and houses so covered in

and houses so covered in string lights as to demand nothing short of a miracle from the local power grid

In addition to her own text

"Rules are what the artist breaks" -- So let's break the rules

“I learned how not to see in my mother’s house

The inside is coated in food safe clear glaze

Passports 2012–2025 bunnies and houses so covered inPassports 20122025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centred around her fathers earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery paints, beads, photograph fragments of Black bodies, gold leaf, glitter to form a deeply textured act of photomontage. Interwoven with the