Gunter Damisch, Sternblattsteher tart_vienna The book was published as

The book was published as part of the homonymous exhibition at Haus Wittgenstein

Innsbruck (23

in: Toni Stooss

Upper Austria) is one of the leading exponents of New Painting

In abstract-surreal formal language he exposes human figures (or figure elements) to scenes of torture

Gunter Damisch, Sternblattsteher tart_vienna The book was published asGunter Damischs very personal pictorial cosmos is characterised by a leitmotif, the pronounced interference between the large and the small, the macrocosmic and the microcosmic. The latent proximity to organic natural forms, amoeba like, unicellular living beings characterise his motif. They show tentacle like spreading feelers, to crystalline growth forms as well as to galactic, energetic agglomerations, a reference to the starry sky with its black