Somesville by Jill London 02/25/26 and olive greens

and olive greens

The structural backbone of the piece relies on a meticulous application of pattern heavily informed by Christopher Alexander’s "pattern language

this étagère elegantly plays with negative space and verticality to elevate any modern interior

his art is "illustrative and graphic

A fabulous set of matte frosted glasses in the shape of Horns of Plenty

Somesville by Jill London 02/25/26 and olive greens12 x 6 Water gilded panel painting with punchwork. The qualities of gold leaf and the light that is created are part of the dynamic of the reflections both internal and external on the picture plane. London only uses methods from our natural surroundings. Wood, water, chalk, rabbit skin glue, clay, gold leaf, egg tempera made with egg yolks and earth pigments are all derived from the natural environment. This mark making is part of an ongoing dialogue